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  • THE LADYKILLERSFebruary 2017
  • LUCKY SODSSeptember 2015
  • FAWLTY TOWERSJuly 2015
  • THE HAUNTINGMay 2015
  • THE 39 STEPSMay 2015
  • 'ALLO 'ALLOSep/Oct 2011
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Review: The Rise and Fall of Little Voice

First and foremost, this is a must see production;
a wonderful show from start to finish, produced expertly
by Donnamarie Stamp with a superb cast.

The play itself is beautifully written by multiaward winning playwright Jim Cartwright.

As the curtains opened, the audience had a great set to feast their eyes upon; a living room, fully working kitchen, an upstairs and as revealed later in the play, a section of wall that opened to show outdoor scenes.

There was a sense of realism with the clutter in the Kitchen, the 80s décor and props, the lighting effects which showed several power cuts very convincingly and the sound effects and music. This was a real collective effort by the whole production team to make all of these effects work so well.

I was thoroughly impressed by the whole cast too. LV was the perfect role for Lesley Harris who with a stunning singing voice was able to perform so many songs in so many styles; her final performance being an impressive treat for the audience. On top of this she played the timid victim excellently.

Frank Stamp as Ray Say was absolutely convincing as the manipulative, small-time manager. He was sleazy but sweet, determined but thoughtful. I thought both his brutal show-down with Mari and his final scene were brilliant; gritty, emotional and brave.

Sarah Mullins as Sadie, the almost mute neighbour was hilarious! To make a character with very few lines such a great one takes skill, so hats off to her!

Alan Pattenden as Mr Boo was a perfect casting; his scenes as the club host were very rousing.

Scott Ord, playing Billy, had his debut on the stage and I thought he did a lovely job. The relationship between himself and LV was really sweet.

John Mitchell played LV’s late father, and although this was a small role, it was a significant one and I actually cried when he stood in the audience overlooking her final club performance. A great touch.

I have saved Joan Young till last as she played the part of Mari Hoff, the boozy, selfish mother of LV, to an absolute T. What a triumph! I could easily imagine Joan on a professional stage. Every line was delivered with punch, pace and passion and she embraced the character from head to toe. She made us laugh, cry and screw our faces in disgust, all in one speech! I loved watching her perform and Joan, along with the rest of the cast, the wonderful set and production qualities, made this one of my favourite shows. Well done RLT.


Reviewed by Victoria Evans


A Foot in the Door
by Richard Harris

Friday 28th September to Friday 5th October 2018, 7:30pm

May, an elderly widow, has invited several salespeople to her London semi. The first guest to arrive is Warren, soon followed by an increasing array of colourful characters. Each salesperson adopts a persona they think will persuade their prospective client to put her money their way, but May's inability to wrench her eyes from her TV - and her lack of interest in any of the products - look set to wreck their hopes.

Click here for booking information.


2018-2019 Season

Retford Little Theatre is pleased to annouce our 78th
Season of plays will open with A Foot in the Door
by Richard Harris, and will conclude with The Nightingales
by Peter Quilter.

A Bunch of Amateurs (Ian Hislop, Nick Newman), Fondly Remembered (Gareth Armstrong) and When the Wind Blows (Raymond Briggs) complete the season's line up.

Click here to download a copy of the 2018-2019 season brochure (printed copies available at the theatre Box Office).

Further details of all the plays in the 2018-19 season, including ticket information, can be found here.